INT. OFFICE, MARK’S CUBICLE, DAY
Mark is seated, typing on his computer.
Phone cradled to his ear.
MARK
(Shouting)
Are you coming to lunch with us?
STEVE(O.C.)
(Shouting)
Naw, you guys go without me, maybe
next time, I got some stuff to
knock down, before I go for food.
MARK
(Talking into phone)
You hear that?
(beat)
Yeah, I’ll see you downstairs.
Mark hangs the phone up and begins typing with both hands.
MARK(CONTINUED)
(Shouting over his shoulder)
You sure?
STEVE(O.C.)
Yeah.
MARK
(Shouting)
Ok.
(Mumbling to himself)
Asshole.
Mark stops typing and grabs his jacket off the edge of the
cubicle.
MARK(CONTINUED)
See ya.
Mark leaves.
INT. OFFICE, STEVE’S CUBICLE, DAY
Mark is standing up with his coat on.
He is facing Steve’s cubicle, arms on his hips and Steve is
leaning back in his chair.
(CONTINUED)
CONTINUED: 2.
MARK
Lunch, come on.
STEVE
No thanks. I’ll pass this time.
MARK
This is like the twentieth time I
invited you since you started here,
I am going to start to take this
personally.
STEVE
Please don’t, I just don’t go to
lunch as a rule.
MARK
Steve don’t take this the wrong
way, but that’s weird, no offense.
STEVE
None taken.
JOHN(O.C.)
Come on Stevie, come on let’s go,
there’s going to be a line, come
on.
STEVE
Go on, we’ll talk later.
Mark stands still and looks at Steve.
STEVE(CONTINUED)
Go on, go.
Mark turns and leaves.
INT. HOLE IN THE WALL RESTAURANT, DAY
Mark is at the head of a table with five other guys. All
dressed in suite jackets. All in their twentnties to
thirties. Sleeves rolled up.
Everyone has a plate of food in front of them and all are
listening, eating and drinking at the same time.
They are in a rush.
MARK
That guy, there’s is just something
about him, I mean he’s great on the
(MORE)
(CONTINUED)
CONTINUED: 3.
MARK (cont’d)
phone and all, but what’s up with
no lunch?
ONE OF THE GUYS
You better start eating, we are
going to have to go soon.
One of the guys burps.
INT. OFFICE, STEVE’S CUBICLE, DAY
Mark is facing Steve’s cubicle, arms on his hips and Steve
is leaning back in his chair.
MARK
How come you don’t eat with me and
the guys-
(Interrupting himself)
I should have thought of it, you’re
trying to keep kosher.
STEVE
Mark I’m not Jewish.
MARK
No?
STEVE
No.
MARK
Muslim?
STEVE
Nope?
MARK
No.
STEVE
No.
MARK
Then what?
Steve gets up and approaches Mark.
STEVE
Do you really want to know?
Mark takes a couple of steps back.
(CONTINUED)
CONTINUED: 4.
MARK
Yeah. I want to know.
STEVE
I’ll tell you.
MARK
What?
STEVE
I think eating is an art form, I
think eating is done as a shared
act, like congress. Like a
conversation with joy.
Steve rubs his hand together, like in a prayer.
MARK
What? Like Joy from accounting?
Steve shakes his head.
Steve speaking with great animation.
As he speaks he walks forward and Mark backs up.
STEVE
Like a deep breath after a great
work out. Like walk in the park
just after it rains. Eating is an
experience.
(beat)
Do you know what I mean?
MARK
What?
Mark is staring with his mouth wide open.
STEVE
Are you okay?
MARK
We’re talking about eating food,
right?
Steve takes a seat.
STEVE
I knew I shouldn’t have told you.
(beat)
I drink protein shakes for
breakfast and lunch. And for diner,
(MORE)
(CONTINUED)
CONTINUED: 5.
STEVE (cont’d)
I leave here around four and go to
the market and let the Muse speak
to me.
MARK
What?
STEVE
(Mimicking Mark)
What?
(beat)
We all have something we care about
with a fervor, don’t we? You were a
basket case for week when news
broke about the Sonics move to
Oklahoma.
Mark approaches Steve’s chair.
MARK
I grew up with them. The were like
family.
STEVE
I couldn’t care about a team, but
Saffron Chicken and Goat-cheese in
a caramel reduction.
Steve stares off into space for a few moments.
Mark looks off in the same direction Steve is looking.
MARK
Like if the Sonics went to the
championship?
STEVE
Like if the Sonics won game seven
of the championship after coming
from behind in the series, and
you’re a part of the team.
Mark stares at Steve for a few beats.
MARK
Would you make dinner for me?
6.
INT. DINING ROOM, STEVE’S APARTMENT, NIGHT
Unremarkable dining room.
Very small bistro table.
Well lit.
Very masculine.
Both Mark and Steve are seated.
The table is set for formal dining.
STEVE
Are you ready?
MARK
I guess.
STEVE
This is dining and this is food as
art. You can’t prepare for it, but
you do have to be a yes to it or
you get nothing, just like life.
(beat)
You are either ready or you are
not. Are you ready?
MARK
You’re creeping me out.
STEVE
You invited yourself.
Mark takes a deep breath and looks deeply into his water
glass.
Mark takes a drink of water and nods his head.
MARK
I’m ready.
Steve gets up and goes to the kitchen and returns with four
plates.
Two plates are small and each have a single blackberry with
Crème fraîche on them.
The other two plates have one toast point each with a ripe
tomato slices that have been drizzled with honey.
(CONTINUED)
CONTINUED: 7.
MARK
This is it?
STEVE
Shhhh.
(beat)
Breath. In through your nose and
then out slowly through your mouth,
let the scent of the blackberry
touch you.
Mark unsure of himself, waits and watches.
Steve is as though in a trance, he reaches down, finds his
blackberry, dips it in crème fraîche and slowly sets it on
his lips, he inhales and then brings the blackberry all the
way into his mouth.
Steve slowly chews.
When he is finished chewing he puts both hands on table and
smiles.
Breathes.
And then takes a sip of wine.
STEVE(CONTINUED)
Try it.
Mark reaches for the blackberry.
STEVE(CONTINUED)
Easy. Like you’re touching a
snowflake.
Mark gentle dips the blackberry and pushes it against his
lips.
Mark pushes the blackberry all the way into to his mouth.
A drop of blackberry juice remains on his lips.
Mark pauses breathes in again.
Mark smiles.
MARK
It think I just caught a buzz.
STEVE
Yeah you did.
(CONTINUED)
CONTINUED: 8.
MARK
You do this every night?
STEVE
How could I not?
(beat)
Pass the next dish and this time
close you eyes.
Steve takes one of the plates from Mark.
He leans back in his chair.
Steve waives his hand over the honey tomato appetizer,
breathes deeply in through his nose and out through his
mouth and then he looks at it.
Steve closes his eyes and puts the food to his lips.
Steve shivers a little.
Mark watches and as Steve begins to shiver he reaches for
his own tomato dish and mimics Steve actions.
Steve finishes his snack and smiles.
Mark lets the honey graze his upper lip and he slides the
snack half way into his mouth.
MARK
(groan)
Mmmmmmmm.
As his bites down on the food in his mouth, he stops
groaning and he sits bolt-up-right as a reaction to the food
and puts both hands on the table to brace himself.
Mark puts both his hands on the table.
Mark leans forward.
Pushes himself up over the table, leans across and
kiss Steve on the lips.
Steve doesn’t kiss back, he is passive, he doesn’t reject
the kiss either.
Mark shrinks back.
MARK
Dude, I’m sorry. I didn’t mean to-
(CONTINUED)
CONTINUED: 9.
STEVE
(Interrupting)
It’s the the cardamom in the honey,
it does that to every one.
(beat)
My mom’s been in therapy because of
that canapé. It’s the other reason
I dine alone.
(beat)
The inexperienced get kind of
fired up.
MARK
How is this possible?
Steve nods.
STEVE
Joy goes in, joy comes out.
FADE OUT.
Dining Room
By
Raymond Ussery
an original idea .
copyright August 18th, 2008 Raymond Ussery
3617 SW 112th Street
Seattle, WA 98146
206 420 3641
